István Farkas, Mujeres de negro, 1931, témpera sobre madera, 80 x 100 cm. Colección particular
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"But Farkas, who kept pace with his eminent contemporaries in Paris, now created an independent world, one in which were linked the culture of the vanished Austro-Hungarian monarchy--of Musil, Rilke, Kafka, and Freud--and the modern existence evoked by the early existentialist writers. Farkas forged a deeply personal and symbolic visual language during this difficult and ultimately tragic period. In his paintings, he often depicted a mysterious universe populated by alienated, ghostly figures and hostile objects which can be interpreted as both meditations on the frailty of human existence and premonitions of his death."
https://sites.google.com/site/geokerk/istv%C3%A1nfarkas
